8/19/2023 0 Comments Sound control pdx![]() After graduating the School of Visual Arts in 2007 with a BFA in Graphic Design, he began as a freelance motion designer in NY for boutique studios and network television brands designing and animating on-air brand campaigns, show packaging, movie trailers as well as set design and a multitude of static design, concepting and storyboarding culminating in a five year stretch at Comedy Central as a Design Director in the network’s on-air brand development group. Through this process, I connected with a whole new group of people that I did not know so well initially, and that was the most rewarding part of this whole experience.”Īaron Nichols is an art director, animator, editor and multidisciplinary designer based in Queens NY. I knew I had access to this world through Adam and the bands and I felt an overwhelming desire to direct this film. I wanted to instead capture the moment fresh as it was happening. Other documentaries I have worked on primarily were comprised of interviews of people talking about the old days. I knew this era of my life was coming to a close as the inevitable split of the band was imminent, so I seized this opportunity to capture this moment in time before it passed us all by. ![]() ![]() “The family of bands and friends that Adam Bartlett put together through his label is very special to me, and the decade that I spent touring around the world with Mutilation Rites, that allowed me to make all these personal connections to people in this scene was a very important part of my life. He played guitar and bass in Mutilation Rites, Cobalt, Disassociate, and Knight Terror and currently plays in Overdose, Moral Panic, and Total Invasion. He is currently working on several more documentaries, the subject matter ranging from the origins of personal computers and the internet, a skateboard gang, and the garment industry. A Wandering Path, The Story of Gilead Media is the first doc he has directed and produced himself. He went on to edit Something in the Water, a doc about Long Island Hardcore whose release date is still TBD. He also co-produced, edited, sound recorded, and was a camera operator on The Color of Noise, a doc that focused on Tom Hazelmyer, 90’s Noise Rock and Amphetamine Reptile. DIRECTOR / PRODUCER / EDITOR / DIRECTOR OF PHOTOGRAPHYĭimmitt’s first documentary work was in 2007, when he co-edited Until The Light Takes Us, a documentary about Norwegian Black Metal, that focused on Mayhem, Darkthrone, and Burzum among other controversial subject matter. ![]()
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